Harry Anderson, Now Do I Win? (Falstaff Beer Promotion)
Oil on Canvas, 38 x 26 in. (96.5 x 66 cm)
Apache, Large Woven Basket Tray with Dog and Human Figures in Geometric Motif
, Early 20th Century
Coiled Basket Tray, 15 in. (38.1 cm)
Coiled Tray of Mixed Natural Fibers
Apache, Small Woven Basket Tray with Dogs in Geometric Motif
, Early 20th Century
Coiled Basket Tray, 13 in. (33 cm)
Coiled Tray of Mixed Natural Fibers
Thomas Hart Benton, Homecoming - Kaw Valley
Offset Lithograph, 14 x 17 in. (35.6 x 43.2 cm)
Handwritten Dedication: "To Art Whitman - Thomas H. Benton"
Oscar E Berninghaus, Return to Camp
Oil on Artist Board, 12 x 22 in. (30.5 x 55.9 cm)
Robert Oldham Biggs, Seated Figure with Napoleon's Death Mask
Oil on Panel, 36 x 48 in. (91.4 x 121.9 cm)
Laverne Nelson Black, Indian on Horseback
Oil on Artist Board, 23 x 22 in. (58.4 x 55.9 cm)
Karl Bodmer, Mato-Tope
Aquatint on Paper, 23 3/4 x 17 in. (60.3 x 43.2 cm)
C.F. Martin & Company, Vintage Guitar [Model 0-18], c. 1940
Guitar
Serial #76747
Alexander Calder, Triangles and Spirals, 1973
Color Lithograph, 26 x 19 1/4 in. (66 x 48.9 cm)
Malvina Calvert, 3rd Street Cut Off, St. Louis, 1955
Watercolor, 19 1/2 x 23 3/4 in. (49.5 x 60.3 cm)
Fred Green Carpenter, Dollie, Little Jill, and Baby Sister
Oil on Canvas, 30 x 24 in. (76.2 x 61 cm)
Mildred Bailey Carpenter, Moonlight
Watercolor & Acrylic, 32 1/8 x 26 1/8 in. (81.6 x 66.4 cm)
Kathryn Cherry, Sunny Afternoon
Oil on Board, 25 x 30 in. (63.5 x 76.2 cm)
Dale Chihuly, Float Drawing, Venice
Mixed Media including Acrylic and Serigraph, 36 1/2 x 24 3/4 in. (92.7 x 62.9 cm)
Christo, Yellow Store Front, Project, 1980
Mixed Media Collage, 32 x 23 1/2 in. (81.3 x 59.7 cm)
Mixed Media including Color Lithograph with Collage of Acetate and Cloth
on Arches Paper Mounted to Museum Board (as issued)
Provo: Hokin Gallery, Palm Beach, Florida
Paul Cornoyer, Sunny Afternoon, Madison Square Park, New York, 1908
Oil on Canvas, 22 x 27 in. (55.9 x 68.6 cm)
Signed, Dated, and Titled Verso Exhibition Label Verso from New House Galleries, St. Louis, Missouri
Edouard Cortes, Place de la Republique
Oil on Canvas, 18 x 22 in. (45.7 x 55.9 cm)
Heloise Crista, Peace
Brass and Copper, 15 x 17 x 10 in. (38.1 x 43.2 x 25.4 cm)
Edition 3/5
Includes Pedestal
Jasper Cropsey, Autumn Sunset, ca. 1868
Oil on Canvas, 23 1/4 x 34 in. (59 x 86.4 cm)
Salvador Dali, Elijah, 1975
Etching, 22 1/2 x 30 1/4 in. (57.1 x 76.8 cm)
From "Our Historical Heritage" Series
Etching with Pochoir Printed in Colors and Gold
Edition Artiste
William De Leftwich Dodge, In MacMonnie's Garden, Giverny
Oil on Canvas, 50 x 33 1/2 in. (127 x 85.1 cm)
Werner Drewes, St. Louis Riverfront
Color Woodblock, 15 x 22 in. (38.1 x 55.9 cm)
Frederick Carl Frieseke, Le Boudoir
Oil on Artist Board, 11 x 14 in. (27.9 x 35.6 cm)
Eugene Galien Laloue, Pont de Solferino, Paris
Watercolor and Gouache, 12 x 18 in. (30.5 x 45.7 cm)
William J Glackens, Sunny Day at the Beach
Oil on Panel, 6 1/4 x 8 1/2 in. (15.9 x 21.6 cm)
Keith Haring, Helicopters, Mountains, People (from The Valley Suite), 1989
Engraving, 10 x 8 3/4 in. (25.4 x 22.2 cm)
Edition 31/80
Paul Harney, A Barnyard Conversation, 1911
Oil on Canvas, 12 x 16 in. (30.5 x 40.6 cm)
G (Gerald Harvey Jones) Harvey, The Avenue Lights (5th Avenue, New York City)
Oil on Canvas, 16 x 20 in. (40.6 x 50.8 cm)
Frederick Childe Hassam, Sunlight on the Garden Patio, Spain, 1910
Watercolor on Paper, 6 1/2 x 9 3/4 in. (16.5 x 24.8 cm)
Robert Henri, A Stroll in the Park
Oil on Board, 10 1/4 x 14 1/4 in. (26 x 36.2 cm)
John William Hill, Catskill Sawmill, 1854
Oil on Canvas, 20 x 30 in. (50.8 x 76.2 cm)
Hudson River Valley with Waterfall and Figures
John William Hill began his career as a topographical painter and printmaker. About 1855 he read John Ruskin’s Modern Painters and, under the English critic’s influence, altered his style to produce highly detailed landscapes.
By the 1860s Hill had adopted the hatching and stippling technique used by the British and American Pre-Raphaelites. Dictated by John Ruskin’s prescription for “truth to nature,†Hill also began to work outdoors in broad daylight, which produced a tonal equivalence between foreground and background in his watercolors. For this reason—and because the Pre-Raphaelite artists suppressed evidence of brushstrokes—his work often appears photographic. As a Pre-Raphaelite, Hill favored a high, nearly unbroken, horizon that emphasized topographical features at the expense of sky and atmosphere.
Julius Lars Hoftrup, Sun Mountain, Adobes, Santa Fe, New Mexico
Oil on Panel, 20 x 20 in. (50.8 x 50.8 cm)
Daniel Ridgway Knight, A Thoughtful Moment
Oil on Panel, 8 1/2 x 10 1/2 in. (21.6 x 26.7 cm)
Robert Kushner, Alphonsine, 1983
Acrylic on Paper with Mixed Media, 30 x 22 in. (76.2 x 55.9 cm)
Louis Labro-font, Chemin de St. Pierre, 1932
Oil on Board, 15 x 21 3/4 in. (38.1 x 55.2 cm)
Ernest Lawson, Docks Along the Harlem River, Springtime
Oil on Canvas, 19 x 24 in. (48.3 x 61 cm)
Joan Miro, Gaudi XX, (D. 1079), 1979
Etching and Aquatint in Colors with Paper Collage on Shaped Arches Paper, 37 2/5 x 30 7/10 in. (95 x 78 cm)
Edition 41/50 (plus 15 APs)
Joan Mitchell, Flower II (T. 370), 1981
Color Lithograph, 42 1/2 x 32 3/8 in. (108 x 82.2 cm)
AP, Edition 13/16
Claes Oldenburg, Colossal Flashlight in Place of Hoover Dam, 1982
Color Lithograph on Paper, 23 x 22 in. (58.4 x 55.9 cm)
Cat. Raisonne: Axsom & Platzker 171
Victor Pasmore, Senza Titolo 10 (Lynton G.68), 1989
Etching and Aquatint, 26 3/8 x 78 1/2 in. (67 x 199.4 cm)
Edition of 90
Edgar Alwyn Payne, Alpine Mountain
Pencil, 13 x 13 in. (33 x 33 cm)
Provenance: De Rus Fine Art, Laguna Beach, CA
Illustrated: The Drawings of Edgar Payne, Page 27
Pablo Picasso, La Danse de Faunes, 1957
Lithograph, 16 x 20 1/2 in. (40.6 x 52.1 cm)
Edition 199/200
Catalogue Raisonné: Bloch 830; Mourlot 291
Pablo Picasso, Little-Headed Pitcher, 1953
A.R. White Earthenware Clay, 5 x 5 5/8 in. (13 x 14.5 cm)
Turned Pitcher
Edition of 300 Numbered Copies
A.R. White Earthenware Clay, Oxidized Paraffin Decoration, White Enamel
Black
5.12 x 5.71 inches (13 cm x 14.5 cm)
Pablo Picasso, Deux Nus Assis
Engraving, 10 x 7 in. (25.4 x 17.8 cm)
Edition 39/100
Paul-Émile Pissarro, Barque au Bord de l'Orne
Oil on Canvas, 24 x 36 in. (61 x 91.4 cm)
Barque au Bord de l'Orne / Titled and Illustrated
Pissarro A Legacy of Art, Exhibition Catalogue, New River Fine Art
Exhibition Dates: November 22, 2002 - January 4, 2003
landscape with boat""
Paul Pletka, Native with Star Spangled Bandana
Mixed Media on Paper, 25 x 20 in. (63.5 x 50.8 cm)
Three Quarter Profile Portrait
Charles Quest, The Old Courthouse, 1968
Oil on Canvas, 32 x 44 in. (81.3 x 111.8 cm)
Nellie Mae Rowe, Green Lady, 1978
Crayon and Pastel, 9 x 12 in. (22.9 x 30.5 cm)
Seated Woman with Hat in Fantasy Landscape
Victor Salmones, Two Figures Embracing
Bronze, 8 x 7 x 4 in. (20.3 x 17.8 x 10.2 cm)
Edward Seago, The Bure Valley, 1938
Oil on Board, 10 1/2 x 14 in. (26.7 x 35.6 cm)
John Sloan, Mother and Daughter, Santa Fe, 1919-20
Oil on Canvas, 20 x 24 in. (50.8 x 61 cm)
Wallace Herndon Smith, Floral Still Life with Bowl of Fruit
Oil on Canvas, 28 x 20 in. (71.1 x 50.8 cm)
James Everette Stuart, Falls of the Columbia River, 1886
Oil on Canvas, 24 x 48 in. (61 x 121.9 cm)
Tiffany & Co., Pine Needle Jardiniere, 1899 - 1918
Favrile Glass and Bronze with Original Bronze Insert, 4 x 10 1/2 in. (10.2 x 26.7 cm)
W. Holland, Tiffany Desk Sets, Atglen, 2008, pp. 47-48, 52, 54, 68-69
A. Duncan, Tiffany Lamps and Metalware, Suffolk, 2019, pp. 510-5
Ernest Tino Trova, Falling Man on Black and White Background, 1963
Oil on Canvas, 52 1/2 x 52 1/2 in. (133.3 x 133.3 cm)
Dwight William Tryon, Autumn Morning (October), 1918
Oil on Canvas, 7 x 11 in. (17.8 x 27.9 cm)
Maurice Utrillo, L'Eglise, 1937
Gouache and Watercolor on Paper, 11 x 8 3/4 in. (27.9 x 22.2 cm)
Joseph Vorst, Going to the Baptism (Two African American Figures in White Walking on Pathway in Field), 1952
Oil on Canvas, 24 x 18 in. (61 x 45.7 cm)
Andy Warhol, Sarah Bernhardt from Ten Portraits of Jews of the 20th Century, 1980
Screenprint in Colors on Lenox Museum Board, 40 x 32 in. (101.6 x 81.3 cm)
Signed and Numbered Lower Right
In 1980, Andy Warhol released a portfolio Ten Portraits of Jews of the Twentieth Century, dedicated a pantheon of great Jewish thinkers, politicians, performers, musicians, and writers.
Sarah Bernhardt’s portrait is featured alongside others such as Martin Buber, Louis Brandeis, Einstein, Sigmund Freud, George Gershwin, Franz Kafka, the Marx Brothers, Golda Meir, and Gertrude Stein.
Sarah Bernhardt was “the most famous actress the world had ever known.”
A darling of the Belle Epoch, Bernhardt made her name on the French stages in the 1870s, then began acting in the early film industry. In demand across Europe and the Americas, she was lauded for her serious, dramatic works, earning the nickname “The Divine Sarah.”
The collective achievement of these men and women have changed the course of history. Their work, much like Warhol's, has left an indelible impact on culture that continues to this day.
William Wendt, Hillside Shadows, California
Oil on Canvas, 18 x 22 in. (45.7 x 55.9 cm)
Provo: Masterpiece Galleries, Caramel
Frank Reed Whiteside, Midday, Zuni Village, 1897
Oil on Canvas, 20 x 30 in. (50.8 x 76.2 cm)
holding
Rodney Winfield, Inner Sanctum
Oil on Canvas, 26 1/2 x 20 1/2 in. (67.3 x 52.1 cm)
Diptych Presentation of Oil on Canvas and Silver Repousse
Betty Woodman, Russian Basket
Glazed Earthenware, 16 3/4 x 10 x 7 1/2 in. (42.5 x 25.4 x 19.1 cm)