I Got a Gal on Sourwood Mountain
I Got a Gal on Sourwood Mountain
Thomas Hart Benton
American, 1889 - 1975
1938
Lithograph
12 1/2 x 9 1/8 in. (31.8 x 23.2 cm)
Signed in pencil lower right. Edition of 250.
A fiddler plays for dancers on a cabin porch beneath a hanging lantern. The lithograph follows Benton's 1937 tempera painting of the subject. Published by Associated American Artists, New York.
Benton described it as "another of the song and people who sing it – or, in this case, dance it." An impression is in the National Gallery of Art, Washington. (Fath 19)
Thomas Hart Benton (1889–1975)
Thomas Hart Benton was born in Neosho, Missouri, and studied at the Art Institute of Chicago and the Académie Julian in Paris. Rejecting the European modernism of his early years, he became, with Grant Wood and John Steuart Curry, a leader of American Regionalism, painting the farmers, laborers, and folklore of the Midwest and South in a dynamic, sculptural style. His major murals include America Today (1930–31, Metropolitan Museum of Art) and A Social History of the State of Missouri (1936) in the Missouri State Capitol, and in 1934 he became the first artist to appear on the cover of Time. Beginning in 1934, Associated American Artists published his lithographs in editions sold by mail at modest prices, making them among the most widely collected American prints of the century. Benton taught at the Art Students League in New York, where Jackson Pollock was his student, and later at the Kansas City Art Institute. He died in his Kansas City studio in 1975.
A fiddler plays for dancers on a cabin porch beneath a hanging lantern. The lithograph follows Benton's 1937 tempera painting of the subject. Published by Associated American Artists, New York.
Benton described it as "another of the song and people who sing it – or, in this case, dance it." An impression is in the National Gallery of Art, Washington. (Fath 19)
Thomas Hart Benton (1889–1975)
Thomas Hart Benton was born in Neosho, Missouri, and studied at the Art Institute of Chicago and the Académie Julian in Paris. Rejecting the European modernism of his early years, he became, with Grant Wood and John Steuart Curry, a leader of American Regionalism, painting the farmers, laborers, and folklore of the Midwest and South in a dynamic, sculptural style. His major murals include America Today (1930–31, Metropolitan Museum of Art) and A Social History of the State of Missouri (1936) in the Missouri State Capitol, and in 1934 he became the first artist to appear on the cover of Time. Beginning in 1934, Associated American Artists published his lithographs in editions sold by mail at modest prices, making them among the most widely collected American prints of the century. Benton taught at the Art Students League in New York, where Jackson Pollock was his student, and later at the Kansas City Art Institute. He died in his Kansas City studio in 1975.
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