Anheuser-Busch, Custer's Last Stand, 1896, After Cassily Adams
Color Lithograph, 30 x 40 in. (76.2 x 101.6 cm)
With Original A&B Frame
Yaacov Gipstein Agam, American Flag with Colors, 1985
Color Lithograph, 14 1/2 x 9 in. (36.8 x 22.9 cm)
American Flag
Screenprint on Heavy Stock Accordion Folded
Placed in Acrylic Glass Display Case
Josef Albers, Hommage to the Square (Set of Six Cards), 1960
Screenprint
Set of six cards, framed, signed in notecard
a) Yellow Hommage to the Square, 7 x 7 inches, screenprint, unsigned
Position: Upper Left Mount
Poor condition including creasing, spot soiling, discoloration
b) Variations (Blue, Black, Grey), 6 ½ x 8 ½ inches, screenspot, unsigned
Position: Upper Center
Good Condition
c) Variations (Orange, Ochre), 6 ¾ x 6 ¾ inches, screenprint, unsigned
Position: Upper Right
Good Condition
d) Variations (Black, Blue, White, Gray), 8 x 8 inches, screenprint, unsigned
Position: Lower Left
Discolorations to paper, wrinkling of paper
e) Variations (Yellow, Blue, Gray), 8 x 8 inches, screenprint, unsigned
Position: Lower Right
Discolorations to paper due to acidity
f) Handwritten Note by the Artist, on reverse side of “Sanctuary†Print, 3 ½ x 6 inches
Position: Lower Center
Signature attributed to artist
Gabriel Argy-Rousseau, Courde (Gourd) Bowl, c. 1920s
Glass, 3 3/4 x 4 1/4 in. (9.5 x 10.8 cm)
Edward Armfield, After the Prize
Oil on Canvas, 24 x 20 in. (61 x 50.8 cm)
John Baldessari, Studio, 1988
Color Lithograph and Screenprint, 25 1/2 x 34 in. (64.8 x 86.4 cm)
Printers Proof
Willi Bauer, Cottage with Mill
Oil on Canvas, 27 1/2 x 31 1/2 in. (69.8 x 80 cm)
Cecil Crosley Bell, Blind Peanut Vendor, 1958
Oil on Panel, 14 x 18 in. (35.6 x 45.7 cm)
Thomas Hart Benton, Back from the Fields, 1945
Lithograph, 12 7/8 x 9 3/16 in. (32.7 x 23.3 cm)
Illustrated: Fath, pg. 152, no. 66
"This is a Louisiana Scene. Cotton pickers returning home with the last bags picked" THB.
Thomas Hart Benton, Frisky Day, 1939
Lithograph, 12 1/16 x 7 13/16 in. (30.6 x 19.8 cm)
Illustrated: Fath, pg. 80, no. 30
"Young ever in the spring, South Missouri. Farm Country." THB
The lithograph was a study for a painting Frisky Daya which was made in 1940. The painting is in the collection of Mrs. W. Gates Llyod.
Thomas Hart Benton, Loading Corn (Shucking Corn), 1945
Lithograph, 13 1/4 x 10 1/4 in. (33.7 x 26 cm)
llustrated: Fath pg. 150, no. 65
"Autumn in Missouri. To be seen on most mill farms. The problem with these subjects is no to find them, but to find them in a picotorally workable setting" THB
Thomas Hart Benton, Night Firing (Tobacco Firing), 1943
Lithograph, 8 3/4 x 13 1/4 in. (22.2 x 33.7 cm)
Illustrated: Fath, pg. 134, no. 57
"Drawing made in 1943 in North Carolina - part of a series of the Tobacco industry made at the request of American Tobacco Co. The shed is where the tobacco is dried out with night and day slow fires beneath. There is a painting of this owned by Mr. and Mrs. Constable of Kansas City." THB
Thomas Hart Benton, White Calf, 1945
Lithograph, 10 5/8 x 13 1/4 in. (27 x 33.7 cm)
Edition 16/20
Illustrated: Fath, pg. 154, no. 67
"Henry Look of Chilmark, Martha's Vineyard milking his cow. Henry had a good deal selling his milk until some prying summer person found him sharing it in his snot filled handkerchief. Trade with Henry dropped off after that." THB
Oscar E Berninghaus, Winter Pasture
Oil on Canvas, 20 x 24 in. (50.8 x 61 cm)
Antoine Blanchard, Avenue des Champs-Elysses, Paris
Oil on Canvas, 18 x 22 in. (45.7 x 55.9 cm)
Antoine Blanchard, Place de la Bastille
Oil on Canvas, 13 x 18 in. (33 x 45.7 cm)
Bernardus Johannes Blommers, Family Supper
Oil on Canvas, 22 x 27 in. (55.9 x 68.6 cm)
Cyprien-Eugène Boulet, Jeuene Fille au Bonnet Ruban Bleu
Oil on Canvas, 25 1/2 x 21 in. (64.8 x 53.3 cm)
George Elbert Burr, Home of the Winds, Co., 1930
Engraving, 5 1/2 x 7 in. (14 x 17.8 cm)
Alexander Calder, Les Trois Oeufs, 1974
Color Lithograph, 29 3/8 x 43 1/4 in. (74.6 x 109.9 cm)
Edition 8/75
Published by Maeght, Paris
Hand-Signed and numbered in pencil, lower margin
Published by Maeght, Paris
29 3/8 x 43 1/4 inches
Sheet Size: 29 3/8 x 43 1/4 inches
Alexander Calder, Stabiles, Galerie Maeght
Poster, 31 x 22 in. (78.7 x 55.9 cm)
Exhibition Poster
Alexander Calder, The Triangles and Spirals, 1973
Color Lithograph, 26 x 19 1/4 in. (66 x 48.9 cm)
Edition 66/150
Fred Green Carpenter, Far Away Places, 1944
Oil on Canvas, 39 x 32 1/2 in. (99.1 x 82.5 cm)
Mildred B Carpenter, Witch Holding a Baby
Gouache, 13 1/2 x 9 3/4 in. (34.3 x 24.8 cm)
Marc Chagall, Le Christ a l'Horloge. Paris (Christ in the Clock), 1957
Color Lithograph, 18 1/2 x 15 in. (47 x 38.1 cm)
La Christ a l'Horloge, Paris 1957
Image Size: 9 1/2 x 8 inches
Harry Chase, Dutch Coast Scene, 1879
Oil on Canvas, 12 1/4 x 20 1/4 in. (31.1 x 51.4 cm)
Kathryn Cherry, Sunny Afternoon
Oil on Board, 25 x 30 in. (63.5 x 76.2 cm)
Francois Claver, Le Moulin Rouge, Paris
Oil on Canvas, 20 x 24 in. (50.8 x 61 cm)
Fred Conway, Gun Smith Shop, c. 1948
Watercolor, 18 x 24 in. (45.7 x 61 cm)
Paul Cornoyer, Sunny Afternoon, Madison Square Park, New York, 1908
Oil on Canvas, 22 x 27 in. (55.9 x 68.6 cm)
Signed, Dated, and Titled Verso Exhibition Label Verso from New House Galleries, St. Louis, Missouri
Edouard Cortes, L'Avenue des Champs Elysees
Oil on Canvas, 13 x 18 in. (33 x 45.7 cm)
Edouard Cortes, Marche Aux Fleurs
Oil on Canvas, 13 x 18 in. (33 x 45.7 cm)
Edouard Cortes, Place de la Madeleine, Sur La Neige
Oil on Canvas, 18 x 22 in. (45.7 x 55.9 cm)
Edouard Cortes, Place de la Republique
Oil on Canvas, 18 x 22 in. (45.7 x 55.9 cm)
Edouard Cortes, Porte de St. Denis
Oil on Canvas, 18 x 22 in. (45.7 x 55.9 cm)
Frank William Cuprien, Opalescent Evening, 1945
Oil on Canvas, 16 x 21 in. (40.6 x 53.3 cm)
John Steuart Curry, Wisconsin Twilight, 1934
Mixed Media, 29 x 36 1/2 in. (73.7 x 93 cm)
Mixed Media including Graphite, Charcoal, and Pastel on Wove Paper
The title "Wisconsin Twilight was found on a Percival Galleries sticker and is apparently the title by which the work was sold and purchased. When the gallery offered it through correspondence, it was referred to simply as "a Wisconsin landscape" done in 1934. Both the agrarian/rural subject and its handling are very typical of a great many sketches, drawings and studies for murals and paintings that currently circulate in the artist's market. As one of the three American "Regionalists" with a widespread reputation for his Associated American Artists-published lithographs, murals and magazine illustrations, Curry is still considered a very desirable and collectible artist.
Salvador Dali, Homage to Picasso, 1974
Color Lithograph, 19 1/2 x 14 in. (49.5 x 35.6 cm)
Salvador Dali, The Spinning Man
Color Lithograph, 30 x 22 in. (76.2 x 55.9 cm)
Dawson Dawson-Watson, Winter Landscape
Oil on Canvas, 28 x 38 in. (71.1 x 96.5 cm)
H.J. Dobson, John Anderson, My Jo
Oil on Canvas, 29 1/2 x 39 1/4 in. (74.9 x 99.7 cm)
H.J. Dobson, Man and Child with Cat
Oil on Canvas, 14 1/4 x 18 1/4 in. (36.2 x 46.4 cm)
H.J. Dobson, Two Women and Child
Oil on Canvas, 14 1/4 x 18 1/4 in. (36.2 x 46.4 cm)
Ben Georgia, Symphonic Spherical Spectrum, 1990
Oil on Canvas, 38 in. (96.5 cm)
Signed, Dated, and Inscribed Verso
Exhibition Label Affixed Verso
Exhibited 1990: Ben Georgia: "Lyrical Abstractions" at Contemporary Art of West Orange, New Jersey
Gustav Goetsch, Harbor at Evening Tide
Oil on Masonite, 14 x 18 in. (35.6 x 45.7 cm)
Gustav Goetsch, Onions and Knife
Oil on Masonite, 18 x 22 in. (45.7 x 55.9 cm)
Gustav Goetsch, White Smock Self Portrait, 1967
Oil on Masonite, 36 x 24 in. (91.4 x 61 cm)
Francisco De Goya, La Tauromaquia
Etching, 8 x 12 in. (20.3 x 30.5 cm)
4th State
Bob Grieves, In Sight of the Promised Land, 1996
Bronze, 13 x 17 x 32 in. (33 x 43.2 x 81.3 cm)
A.P.
G (Gerald Harvey Jones) Harvey, The Avenue Lights (5th Avenue, New York City)
Oil on Canvas, 16 x 20 in. (40.6 x 50.8 cm)
Frederick Childe Hassam, Sunlight on the Garden Patio, Spain, 1910
Watercolor on Paper, 6 1/2 x 9 3/4 in. (16.5 x 24.8 cm)
Sophie Hirschmann, Basket of Puppies
Oil on Canvas, 24 x 30 in. (61 x 76.2 cm)
Gayle Porter Hoskins, Town Scene with Carriage
Oil on Canvas, 15 x 30 in. (38.1 x 76.2 cm)
Grisaille
Margaret Keane, Best Friends (White Poodle)
Oil on Canvas, 22 1/2 x 8 in. (57.1 x 20.3 cm)
Margaret Keane, Girl on Steps in China Town
Oil on Canvas, 30 x 14 in. (76.2 x 35.6 cm)
Margaret Keane, Girl Seated on Steps with Black Poodle
Oil on Canvas, 30 x 24 in. (76.2 x 61 cm)
Sister Mary Corita Kent, Leo Baeck and a Spirit is Characterized
Color Lithograph, 21 1/2 x 21 1/2 in. (54.6 x 54.6 cm)
Corita Kent (1918–1986) was an artist, educator, and advocate for social justice. At age 18 she entered the religious order Immaculate Heart of Mary, eventually teaching and then heading the art department at Immaculate Heart College. During the course of her career, her artwork evolved from using figurative and religious imagery to incorporating advertising images and slogans, popular song lyrics, biblical verses, and literature. Throughout the ‘60s, her work became increasingly political, urging viewers to consider poverty, racism, and social injustice. In 1968, she left the order and moved to Boston. After 1970, her work evolved into a sparser, introspective style, influenced by living in a new environment, a secular life, and her battles with cancer. She remained active in social causes until her death in 1986. At the time of her death, she had created almost 800 serigraph editions, thousands of watercolors, and innumerable public and private commissions.
Sister Mary Corita Kent, Thoreau ""If A Man Does Not Keep Peace""
Color Lithograph, 22 1/2 x 22 1/2 in. (57.1 x 57.1 cm)
Corita Kent (1918–1986) was an artist, educator, and advocate for social justice. At age 18 she entered the religious order Immaculate Heart of Mary, eventually teaching and then heading the art department at Immaculate Heart College. During the course of her career, her artwork evolved from using figurative and religious imagery to incorporating advertising images and slogans, popular song lyrics, biblical verses, and literature. Throughout the ‘60s, her work became increasingly political, urging viewers to consider poverty, racism, and social injustice. In 1968, she left the order and moved to Boston. After 1970, her work evolved into a sparser, introspective style, influenced by living in a new environment, a secular life, and her battles with cancer. She remained active in social causes until her death in 1986. At the time of her death, she had created almost 800 serigraph editions, thousands of watercolors, and innumerable public and private commissions.
Constantin Kluge, Spring
Oil on Canvas, 29 1/2 x 36 1/2 in. (74.9 x 92.7 cm)
Landscape with Trees and Flowers
William Henry Dethlef Koerner, When Men Ride Free, 1932
Oil on Canvas, 30 x 40 in. (76.2 x 101.6 cm)
Carl Krafft, Twilight
Oil on Board, 16 x 21 in. (40.6 x 53.3 cm)
Night Scene of Women with Lanterns
Andre Masson, Profil Rose, 1960
Color Lithograph, 22 1/2 x 17 1/2 in. (57.1 x 44.5 cm)
Edition 61/200
Peter Max, Better World Version I
Acrylic on Canvas, 24 x 9 3/4 in. (61 x 24.8 cm)
Peter Max, Cherry Blossom Near Washington Bridge
Acrylic on Canvas, 16 x 20 in. (40.6 x 50.8 cm)
Peter Max, Flag with Heart on Blends
Mixed Media, 16 1/4 x 12 in. (41.3 x 30.5 cm)
Peter Max, Liberty Head II
Mixed Media, 9 1/2 x 7 1/4 in. (24.1 x 18.4 cm)
Peter Max, New Moon Details
Acrylic on Canvas, 15 x 30 in. (38.1 x 76.2 cm)
Peter Max, Ship at Sea with Sunset, 1989
Pastel on Paper, 6 x 10 in. (15.2 x 25.4 cm)
Peter Max, Umbrella Man
Over-Painted Serigraph, 19 3/4 x 20 in. (50.2 x 50.8 cm)
Peter Max, Water Lilies
Acrylic on Canvas, 15 1/2 x 19 1/2 in. (39.4 x 49.5 cm)
Peter Max, Woodstock Series, Profile on B
Mixed Media, 9 x 7 in. (22.9 x 17.8 cm)
Marian Mckinney, Musician Playing Trombone
Watercolor, 21 1/2 x 10 in. (54.6 x 25.4 cm)
Robert R. Millard, Nocturne on 18th, 1940-1941
Oil on Canvas, 49 x 33 in. (124.5 x 83.8 cm)
Robert R. Millard, Street Gathering Outside the Hotel, 1940-1941
Oil on Canvas, 50 x 38 in. (127 x 96.5 cm)
Joan Miro, Bethsabee, 1972
Aquatint Engraving, 27 x 21 in. (68.6 x 53.3 cm)
Etching and Aquatint in Colors on Wove Paper
Joan Miro, Le Marteau sans Maitre, 1976
Aquatint Engraving, 17 5/8 x 26 1/4 in. (44.8 x 66.7 cm)
Edition of 50
Etching with Aquatint in Colors on Japon
Noted: XXXV/L
Joan Miro, Passacaille, 1968
Aquatint, Etching, and Carborundum, 11 3/8 x 7 3/4 in. (28.9 x 19.7 cm)
Joan Miro, Terres de Grand Feu, Galerie Maeght
Poster, 30 x 21 in. (76.2 x 53.3 cm)
Exhibition Poster
Joan Miro, Untitled Abstract
Color Lithograph, 8 3/4 x 8 3/4 in. (22.2 x 22.2 cm)
Edition 28/45
Marcel Mouly, Grandes Voiles
Color Lithograph, 19 1/2 x 26 1/2 in. (49.5 x 67.3 cm)
Leroy Neiman, American Gold (K.II.42) (Los Angeles Summer Olympics), 1984
Color Screenprint, 28 x 42 in. (71.1 x 106.7 cm)
Edition 181/600
Pablo Picasso, Sala Gaspar, Exhibition Poster, 1961
Poster, 26 x 19 in. (66 x 48.3 cm)
Bernard Pothast, Reading Lesson
Oil on Panel, 25 x 35 in. (63.5 x 88.9 cm)
Bernard Pothast was a Belgian-born Dutch painter. His subjects consisted of mothers with their children, using traditional Academic Realism to create portraits of motherhood. Similar to artists like Johannes Vermeer and Pieter de Hooch, Pothast used natural light to render his subjects, invigorating each scene with drama and evoking narrative through a sense of passing time. Born on November 30, 1882 in Hal, Belgium he was the son of a Dutch portrait painter, and later studied at both the Rijksakademie in Amsterdam and the École des Beaux-Arts in Paris, France. His works are in the collections of the North Carolina Museum of Art in Raleigh, the Kelvingrove Art Gallery and Museum in Glasgow, and the Canton Museum of Art in Ohio, among others. He died on February 1, 1966 in Laren, North Holland in the Netherlands.
Siegfried Gerhard Reinhardt, Art, Encyclopedia Britannica
Color Lithograph, 23 x 16 1/2 in. (58.4 x 41.9 cm)
Encylopedia Britannica, Set of 8
Siegfried Gerhard Reinhardt, Circle of Learning, Encyclopdia Brtiannica
Color Lithograph, 23 x 16 1/2 in. (58.4 x 41.9 cm)
Encylopedia Britannica, Set of 8
Siegfried Gerhard Reinhardt, History of Mankind, Encyclopedia Britannica
Color Lithograph, 23 x 16 1/2 in. (58.4 x 41.9 cm)
Encylopedia Britannica, Set of 8
Siegfried Gerhard Reinhardt, Industry, Encyclopedia Britannica
Color Lithograph, 23 x 16 1/2 in. (58.4 x 41.9 cm)
Siegfried Gerhard Reinhardt, Life on Earth, Encyclopedia Britannica
Color Lithograph, 23 x 16 1/2 in. (58.4 x 41.9 cm)
Encylopedia Britannica, Set of 8
Siegfried Gerhard Reinhardt, Matter and Energy, Encyclopedia Britannica
Color Lithograph, 23 x 16 1/2 in. (58.4 x 41.9 cm)
Encylopedia Britannica, Set of 8
Siegfried Gerhard Reinhardt, Religion, Encyclopedia Britannica
Color Lithograph, 23 x 16 1/2 in. (58.4 x 41.9 cm)
Encylopedia Britannica, Set of 8
Siegfried Gerhard Reinhardt, Sounds, 1966
Oil on Panel, 48 x 36 in. (121.9 x 91.4 cm)
Siegfried Gerhard Reinhardt, Technology, Encylopedia Britannica
Color Lithograph, 23 x 16 1/2 in. (58.4 x 41.9 cm)
Encylopedia Britannica, Set of 8
Norman Percevel Rockwell, Autumn
Black and White Lithograph, 13 1/2 x 13 in. (34.3 x 33 cm)
From Suite of the Four Seasons
Norman Percevel Rockwell, Barbershop Quartet
Black and White Lithograph, 27 x 22 in. (68.6 x 55.9 cm)
Edition 182/200
Norman Percevel Rockwell, Spring
Black and White Lithograph, 13 1/2 x 13 in. (34.3 x 33 cm)
Edition 95/200
Suite of the Four Seasons
Norman Percevel Rockwell, Summer
Black and White Lithograph, 13 1/2 x 13 in. (34.3 x 33 cm)
Suite of the Four Seasons
Norman Percevel Rockwell, Two Lady Janitors Seated Looking at a Playbill
Color Lithograph, 25 x 20 in. (63.5 x 50.8 cm)
Edition 160/200
Norman Percevel Rockwell, Winter
Black and White Lithograph, 13 1/2 x 13 in. (34.3 x 33 cm)
Suite of the Four Seasons
James Rosenquist, undefined, 1977
Etching and Aquatint, 22 x 38 in. (55.9 x 96.5 cm)
Edition 23
Etching and Aquatint with Pochoir and Hand-Coloring on Pescia Italia
Birger Sandzen, Three Cedars, 1923
Lithograph, 16 x 22 in. (40.6 x 55.9 cm)
Adolph Schreyer, The Drinking Well
Oil on Canvas, 10 1/2 x 13 1/2 in. (26.7 x 34.3 cm)
Rodney Shaw, Reclining Nude, 1995
Painted Ceramic, 11 x 15 in. (27.9 x 38.1 cm)
Painted Ceramic Wall Sculpture
Gustave Singier, Abstract Composition in Blue, 1955
Color Lithograph, 16 x 20 1/2 in. (40.6 x 52.1 cm)
Edition 154/200
Gray Smith, The Australian Outback, 1958
Oil on Masonite, 20 x 23 1/2 in. (50.8 x 59.7 cm)
Frank Stella, Shards II, From Shards, 1982
Lithograph and Screenprint, 39 3/4 x 45 1/4 in. (101 x 114.9 cm)
From Shards Series
Edition of 4
John Stobart, Laclede's Landing
Print, 16 1/2 x 12 in. (41.9 x 30.5 cm)
Edition 187/350
Phillip Eustace Stretton, Collie Resting
Oil on Board, 13 1/2 x 21 in. (34.3 x 53.3 cm)
Donald Sultan, One of Diamond and Thirteen of Diamonds, 1990
Color Engraving, 11 1/2 x 8 in. (29.2 x 20.3 cm)
Set of Two
Phillip Sutton RA, Dark Green Wood, 1956
Oil on Canvas, 34 x 34 in. (86.4 x 86.4 cm)
Frederick Oakes Sylvester, Lake Como Landscape
Oil on Canvas, 15 1/2 x 19 1/4 in. (39.4 x 48.9 cm)
Victor Alfred Vignon, Passage au Premier Printempts
Oil on Canvas, 13 x 18 1/2 in. (33 x 47 cm)
Joseph Vorst, Going to the Baptism (Two African American Figures in White Walking on Pathway in Field), 1952
Oil on Canvas, 24 x 18 in. (61 x 45.7 cm)
Hubert Wackermann, Dakota Sioux Campfire
Oil on Canvas, 20 x 30 in. (50.8 x 76.2 cm)
Carl Gustave Waldeck, The Little Village Church, 1911
Oil on Panel, 6 1/2 x 8 1/4 in. (16.5 x 21 cm)
Andy Warhol, Queen Margrethe II of Denmark (FS II.344) (from Reigning Queens), 1985
Screenprint on Lenox Museum Board, 39 1/2 x 31 1/2 in. (100.3 x 80 cm)
Edition 25/40
Harry Weber, Tearing the Braids, 1989
Bronze, 17 x 18 1/2 x 8 1/2 in. (43.2 x 47 x 21.6 cm)
Edition 15/30
Tom Wesselmann, Seascape (Foot), 1967
Formed Resin, 14 x 13 in. (35.6 x 33 cm)
Edition 92/101
Screenprinted Vacuum-Formed Plexiglas Multiple in Colors Mounted to a Card Support
Guy Wiggins, The Plaza New York
Oil on Canvas, 25 x 30 in. (63.5 x 76.2 cm)
Grant Wood, Tree Planting Group, 1937
Lithograph, 8 1/2 x 11 in. (21.6 x 27.9 cm)
Edition of 250
Andrew Wyeth, Upland Country, 1939
Watercolor on Paper, 21 1/2 x 29 1/4 in. (54.6 x 74.3 cm)
Owen Gallery