Thomas Hart Benton, Back from the Fields, 1945
Lithograph, 12 7/8 x 9 3/16 in. (32.7 x 23.3 cm)
Illustrated: Fath, pg. 152, no. 66
"This is a Louisiana Scene. Cotton pickers returning home with the last bags picked" THB.
Thomas Hart Benton, Island Hay, 1945
Lithograph, 10 x 12 5/8 in. (25.4 x 32.1 cm)
Thomas Hart Benton, Loading Corn (Shucking Corn), 1945
Lithograph, 13 1/4 x 10 1/4 in. (33.7 x 26 cm)
llustrated: Fath pg. 150, no. 65
"Autumn in Missouri. To be seen on most mill farms. The problem with these subjects is no to find them, but to find them in a picotorally workable setting" THB
Thomas Hart Benton, Morning Train (Soldier's Farewell), 1943
Lithograph, 13 1/2 x 9 3/8 in. (34.3 x 23.8 cm)
(Fath 1979, No. 75)
Thomas Hart Benton, Night Firing (Tobacco Firing), 1943
Lithograph, 8 3/4 x 13 1/4 in. (22.2 x 33.7 cm)
Illustrated: Fath, pg. 134, no. 57
"Drawing made in 1943 in North Carolina - part of a series of the Tobacco industry made at the request of American Tobacco Co. The shed is where the tobacco is dried out with night and day slow fires beneath. There is a painting of this owned by Mr. and Mrs. Constable of Kansas City." THB
Thomas Hart Benton, The Hymn Singer, 1950
Lithograph, 16 x 12 3/8 in. (40.6 x 31.4 cm)
Ed. 500
Circulated by Twayne Publishers, New York City
Thomas Hart Benton, White Calf, 1945
Lithograph, 10 5/8 x 13 1/4 in. (27 x 33.7 cm)
Edition 16/20
Illustrated: Fath, pg. 154, no. 67
"Henry Look of Chilmark, Martha's Vineyard milking his cow. Henry had a good deal selling his milk until some prying summer person found him sharing it in his snot filled handkerchief. Trade with Henry dropped off after that." THB
Billyo, Colorful Broadway Street, St. Louis, MO
Oil on Board, 12 x 16 in. (30.5 x 40.6 cm)
Billyo, Keyhole in Gold, Laguna Beach, CA
Oil on Board, 12 x 16 in. (30.5 x 40.6 cm)
Billyo, Mellon Stand in Shade, Truck Stop
Oil on Board, 16 x 20 in. (40.6 x 50.8 cm)
Melons, Missy, James, John Gardner
This painting was created on location by Billyo O'Donnell and then finished in this stuido
J. Carez, Map of Missouri, 1820
Hand Colored Engraving, 21 1/4 x 27 1/4 in. (54 x 69.2 cm)
Fred Green Carpenter, Cabin Along the Bluffs, 1946
Oil on Canvas, 25 x 34 in. (63.5 x 86.4 cm)
Fred Green Carpenter, Classic Study of a Woman's Head
Charcoal on Paper, 23 1/2 x 17 in. (59.7 x 43.2 cm)
Fred Green Carpenter, Far Away Places, 1944
Oil on Canvas, 39 x 32 1/2 in. (99.1 x 82.5 cm)
Kathryn Cherry, Church in Gloucester
Oil on Board, 18 x 16 in. (45.7 x 40.6 cm)
Angelo Corrubia, Country Side
Oil on Canvas, 14 x 18 in. (35.6 x 45.7 cm)
Rural Scene
John Steuart Curry, Wisconsin Twilight, 1934
Mixed Media, 29 x 36 1/2 in. (73.7 x 93 cm)
Mixed Media including Graphite, Charcoal, and Pastel on Wove Paper
The title "Wisconsin Twilight was found on a Percival Galleries sticker and is apparently the title by which the work was sold and purchased. When the gallery offered it through correspondence, it was referred to simply as "a Wisconsin landscape" done in 1934. Both the agrarian/rural subject and its handling are very typical of a great many sketches, drawings and studies for murals and paintings that currently circulate in the artist's market. As one of the three American "Regionalists" with a widespread reputation for his Associated American Artists-published lithographs, murals and magazine illustrations, Curry is still considered a very desirable and collectible artist.
John De Martelly, While the Sun Shines, 1942
Lithograph, 10 x 14 in. (25.4 x 35.6 cm)
Bryan Haynes, Midwestern Character
Acrylic on Board, 72 x 72 in. (182.9 x 182.9 cm)
John M Heller, Lady with a Parasol
Oil Painting on Canvas, 34 x 30 in. (86.4 x 76.2 cm)
John M Heller, Mother Knitting with Daughter
Oil Painting on Board, 24 x 20 in. (61 x 50.8 cm)
John M Heller, Profile of an Exotic Woman
Oil Painting on Canvasboard, 32 x 23 1/2 in. (81.3 x 59.7 cm)
John M Heller, Spanish Girl with Fan
Oil Painting on Canvas, 12 x 14 in. (30.5 x 35.6 cm)
John M Heller, The Banjo Player
Oil Painting on Board, 47 x 31 in. (119.4 x 78.7 cm)
John M Heller, Two Women On a Garden Terrace
Oil Painting on Board, 27 x 25 in. (68.6 x 63.5 cm)
John M Heller, Woman in a Chair with a Book
Oil Painting on Canvas, 33 x 33 in. (83.8 x 83.8 cm)
Carl Krafft, Twilight
Oil on Board, 16 x 21 in. (40.6 x 53.3 cm)
Night Scene of Women with Lanterns
Frank B Nuderscher, Autumn in the Ozarks
Oil on Canvas, 25 x 30 in. (63.5 x 76.2 cm)
Ozark Landscape
Frank B Nuderscher, Country Church
Oil on Canvas, 14 x 18 in. (35.6 x 45.7 cm)
Frank B Nuderscher, Over the Hill, the River, 1926
Oil on Board, 19 1/2 x 17 1/2 in. (49.5 x 44.5 cm)
Frank B Nuderscher, Ozark Mountain
Oil on Canvas, 22 x 27 in. (55.9 x 68.6 cm)
Joseph Orr, Root of the Problem
Acrylic on Canvas, 30 x 24 in. (76.2 x 61 cm)
Siegfried Gerhard Reinhardt, An American Underslung and a Rolls Royce Silver Dawn, 1948
Oil on Panel, 10 x 23 in. (25.4 x 58.4 cm)
Birger Sandzen, River and Cottonwood Trees
Lithograph, 10 x 12 in. (25.4 x 30.5 cm)
Robert E Tindall, Bleeding Hearts
Egg Tempera on Board, 13 x 16 in. (33 x 40.6 cm)
Robert E. Tindall, Country Church with Farm Equipment, 6/1/46
Gouache, 17 x 35 in. (43.2 x 88.9 cm)
Robert E. Tindall, Eggplant and Pear
Egg Tempera with Resin-oil Glazes, 7 1/2 x 9 1/2 in. (19.1 x 24.1 cm)
Robert E Tindall, Girl with a Hoe
Egg Tempera with Resin-oil Glazes, 10 x 9 in. (25.4 x 22.9 cm)
Robert E. Tindall, Girl with a Hoe
Egg Tempera with Resin-oil Glazes, 10 x 9 in. (25.4 x 22.9 cm)
Robert E Tindall, Hail & Farewell, 1957
Oil on Canvas, 16 x 20 in. (40.6 x 50.8 cm)
Robert E. Tindall, Hail & Farewell, 1957
Oil on Canvas, 16 x 20 in. (40.6 x 50.8 cm)
Robert E Tindall, Hilltop Barn, 06/43
Gouache, 12 x 14 in. (30.5 x 35.6 cm)
Robert E. Tindall, Hilltop Barn, Jun-43
Gouache, 12 x 14 in. (30.5 x 35.6 cm)
Robert E. Tindall, Madonna of the Plum Tree, 1945
Egg Temera on Board, 19 7/8 x 15 7/8 in. (50.5 x 40.3 cm)
Robert E Tindall, Philodendron
Egg Tempera with Resin-oil Glazes, 13 1/2 x 11 1/2 in. (34.3 x 29.2 cm)
Robert E. Tindall, Philodendron
Egg Tempera with Resin-oil Glazes, 13 1/2 x 11 1/2 in. (34.3 x 29.2 cm)
Robert E. Tindall, Still Life with Book and Skull
Watercolor, 14 x 16 3/4 in. (35.6 x 42.5 cm)
Ernest Tino Trova, The Encounter, 1994
Chrome Sculpture, 24 x 24 x 26 in. (61 x 61 x 66 cm)
Edition of 6
Joseph Vorst, Going to the Baptism (Two African American Figures in White Walking on Pathway in Field), 1952
Oil on Canvas, 24 x 18 in. (61 x 45.7 cm)
Carl Gustave Waldeck, The Little Village Church, 1911
Oil on Panel, 6 1/2 x 8 1/4 in. (16.5 x 21 cm)
Grant Wood, Tree Planting Group, 1937
Lithograph, 8 1/2 x 11 in. (21.6 x 27.9 cm)
Edition of 250