Abstract

John P., Geometric, Linear Shapes in Aqua, Red, Gray, and Maroon

Color Lithograph, 18 x 24 in. (45.7 x 61 cm)

Circle Section Series/Invert PC

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Yaacov Gipstein Agam, Abstract Purple, Blue, Greens

Serigraph, 14 x 33 in. (35.6 x 83.8 cm)

Ed. 4/30

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Yaacov Gipstein Agam, American Flag with Colors, 1985

Color Lithograph, 14 1/2 x 9 in. (36.8 x 22.9 cm)

American Flag
Screenprint on Heavy Stock Accordion Folded
Placed in Acrylic Glass Display Case

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Josef Albers, Hommage to the Square (Set of Six Cards), 1960

Screenprint

Set of six cards, framed, signed in notecard
a) Yellow Hommage to the Square, 7 x 7 inches, screenprint, unsigned
Position: Upper Left Mount
Poor condition including creasing, spot soiling, discoloration
b) Variations (Blue, Black, Grey), 6 ½ x 8 ½ inches, screenspot, unsigned
Position: Upper Center
Good Condition
c) Variations (Orange, Ochre), 6 ¾ x 6 ¾ inches, screenprint, unsigned
Position: Upper Right
Good Condition
d) Variations (Black, Blue, White, Gray), 8 x 8 inches, screenprint, unsigned
Position: Lower Left
Discolorations to paper, wrinkling of paper
e) Variations (Yellow, Blue, Gray), 8 x 8 inches, screenprint, unsigned
Position: Lower Right
Discolorations to paper due to acidity
f) Handwritten Note by the Artist, on reverse side of “Sanctuary” Print, 3 ½ x 6 inches
Position: Lower Center
Signature attributed to artist

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Peter Alexander, Untitled, 1973

Wax Sketch, 30 x 22 in. (76.2 x 55.9 cm)

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Peter Bazel, Urban Composition

Monotype, 8 3/4 x 11 3/4 in. (22.2 x 29.8 cm)

Edition 1/1

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Edward Boccia, Two Figures (Great Catch), 1974

Gouache on Paper, 13 x 9 in. (33 x 22.9 cm)

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Gustave Bolin, Landscape with Houses, 1963

Oil on Canvas, 13 x 39 in. (33 x 99.1 cm)

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Montien Boonma, Abstract Composition

Oil on Canvas, 40 x 30 in.

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Christopher Brown, Brady's Negative, 1993

Lithograph on Natural Gasen Paper, 15 x 15 in. (38.1 x 38.1 cm)

With the blindstamp of the publisher, Tamarind Institute, Albuquerque, NM, the full sheet
Edition of 28

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Alexander Calder, Les Trois Oeufs, 1974

Color Lithograph, 29 3/8 x 43 1/4 in. (74.6 x 109.9 cm)

Edition 8/75
Published by Maeght, Paris
Hand-Signed and numbered in pencil, lower margin
Published by Maeght, Paris
29 3/8 x 43 1/4 inches
Sheet Size: 29 3/8 x 43 1/4 inches

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Alexander Calder, Spirals (Red & Blue)

Color Lithograph, 26 x 37 in. (66 x 94 cm)

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Alexander Calder, Stabiles, Galerie Maeght

Poster, 31 x 22 in. (78.7 x 55.9 cm)

Exhibition Poster

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Alexander Calder, The Triangles and Spirals, 1973

Color Lithograph, 26 x 19 1/4 in. (66 x 48.9 cm)

Edition 66/150

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Elizabeth Catlett, Man, 1975/2003

Woodcut/Linocut in Colors, 17 1/8 x 12 in. (43.5 x 30.5 cm)

Edition 250

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Marc Chagall, Le Christ a l'Horloge. Paris (Christ in the Clock), 1957

Color Lithograph, 18 1/2 x 15 in. (47 x 38.1 cm)

La Christ a l'Horloge, Paris 1957
Image Size: 9 1/2 x 8 inches

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Fred Conway, European Cathedral

Oil on Canvasboard, 24 x 30 in. (61 x 76.2 cm)

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Heloise Crista, Peace

Brass and Copper, 15 x 17 x 10 in. (38.1 x 43.2 x 25.4 cm)

Edition 3/5
Includes Pedestal

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Bertrand Dorny, BAT

Aquatint, Etching, Engraving, and Sandpaper Printed in Colors, 11 1/2 x 8 in. (29.2 x 20.3 cm)

Edition BAT

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Sam Francis, Untitled, 1967

Color Lithograph, 17 x 22 in. (43.2 x 55.9 cm)

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Helen Frankenthaler, Divertimento, 1983

Color Lithograph on HMP Waterleaf Handmade Paper, 31 1/2 x 21 1/3 in. (80 x 54.2 cm)

Inscribed Lower Left;
"B.A.T. for John; artist and printer"
"Wonderful combination!"
"Thank You, HF"
Bon a Tirer (B.A.T.): Bon á tirer (BAT). Bon á tirer means “good to pull.” This is the first perfect impression of the work and the one that will be used to judge all other impressions in the edition. The BAT indicates the artist’s authorization to proceed with the edition; it is signed or initialed by the artist. All further impressions are compared to the BAT for quality. Any impression deviating from the BAT is destroyed.

Edition of 39

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Nobu Fukui, Blue Abstract #4, 1972

Color Lithograph, 25 x 21 in. (63.5 x 53.3 cm)

Edition 81/100

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Alexandre Sacha Garbell, Abstract Figures

Oil on Panel, 12 x 11 in. (30.5 x 27.9 cm)

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Alexandre Sacha Garbell, Figures at Harbor with Boats

Oil on Canvas, 6 1/2 x 12 in. (16.5 x 30.5 cm)

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Ben Georgia, Symphonic Spherical Spectrum, 1990

Oil on Canvas, 38 in. (96.5 cm)

Signed, Dated, and Inscribed Verso
Exhibition Label Affixed Verso
Exhibited 1990: Ben Georgia: "Lyrical Abstractions" at Contemporary Art of West Orange, New Jersey

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David Gilhooly, Pig Sandwich

Glazed Earthenware, 4 1/4 x 5 1/2 x 4 1/2 in. (10.8 x 14 x 11.4 cm)

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Keith Haring, Pop Shop Bag, 1985

Paper Bag with Lithograph, 15 x 12 in. (38.1 x 30.5 cm)

Obtained from the artist at AIDS fundraiser in Greenwich Village, NYC

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Keith Haring, Pop Shop Bag, 1985

Paper Bag with Lithograph, 15 x 12 in. (38.1 x 30.5 cm)

Obtained from the artist at AIDS fundraiser in Greenwich Village, NYC

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Asger Jorn, Das Offene Versteck (The Open Hiding Place), 1970

Color Lithograpgh, 40 x 55 in. (101.6 x 139.7 cm)

Ed. 65/85
Published by Edition Van de Loo, Munich Printed at Fratelli Pozzo, Turin

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Sister Mary Corita Kent, Leo Baeck and a Spirit is Characterized

Color Lithograph, 21 1/2 x 21 1/2 in. (54.6 x 54.6 cm)

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Sister Mary Corita Kent, Thoreau ""If A Man Does Not Keep Peace""

Color Lithograph, 22 1/2 x 22 1/2 in. (57.1 x 57.1 cm)

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Hugh Kepets, Met Gates II

Aquatint with Color, 11 1/2 x 8 3/4 in. (29.2 x 22.2 cm)

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Paul Klee, Woman, 1927

Pochior Print, 7 x 4 in. (17.8 x 10.2 cm)

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Jacob Landau, Golf

Color Lithograph, 8 x 12 in. (20.3 x 30.5 cm)

Artist Proof

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Jacob Landau, Tondo

Black and White Lithograph, 11 x 11 1/2 in. (27.9 x 29.2 cm)

Edition 7/50

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Lebedang, Horse Study

Mixed Media, 20 x 13 in. (50.8 x 33 cm)

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Sylvia Plimack Mangold, Aquatint

Color Lithograph, 10 x 13 in. (25.4 x 33 cm)

Edition 48/50

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Sylvia Plimack Mangold, Sugarlift

Color Lithograph, 10 x 13 in. (25.4 x 33 cm)

Edition 48/50

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Andre Masson, Profil Rose, 1960

Color Lithograph, 22 1/2 x 17 1/2 in. (57.1 x 44.5 cm)

Edition 61/200

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Peter Max, Asia on Blends

Mixed Media, 18 x 14 in. (45.7 x 35.6 cm)

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Peter Max, Better World Version I

Acrylic on Canvas, 24 x 9 3/4 in. (61 x 24.8 cm)

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Peter Max, Cherry Blossom Near Washington Bridge

Acrylic on Canvas, 16 x 20 in. (40.6 x 50.8 cm)

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Peter Max, Flag with Heart on Blends

Mixed Media, 16 1/4 x 12 in. (41.3 x 30.5 cm)

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Peter Max, Katrina Relief

Mixed Media, 24 x 18 in. (61 x 45.7 cm)

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Peter Max, Liberty Head II

Mixed Media, 9 1/2 x 7 1/4 in. (24.1 x 18.4 cm)

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Peter Max, New Moon Details

Acrylic on Canvas, 15 x 30 in. (38.1 x 76.2 cm)

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Peter Max, Ship at Sea with Sunset, 1989

Pastel on Paper, 6 x 10 in. (15.2 x 25.4 cm)

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Peter Max, The Sage

Mixed Media, 17 x 10 in. (43.2 x 25.4 cm)

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Peter Max, Umbrella Man

Over-Painted Serigraph, 19 3/4 x 20 in. (50.2 x 50.8 cm)

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Peter Max, Umbrella Man

Acrylic on Canvas, 14 x 5 in. (35.6 x 12.7 cm)

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Peter Max, Water Lilies

Acrylic on Canvas, 15 1/2 x 19 1/2 in. (39.4 x 49.5 cm)

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Peter Max, Woodstock Series, Profile on B

Mixed Media, 9 x 7 in. (22.9 x 17.8 cm)

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Marian Mckinney, Musician Playing Trombone

Watercolor, 21 1/2 x 10 in. (54.6 x 25.4 cm)

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Joan Miro, Bethsabee, 1972

Aquatint Engraving, 27 x 21 in. (68.6 x 53.3 cm)

Etching and Aquatint in Colors on Wove Paper

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Joan Miro, Le Marteau sans Maitre, 1976

Aquatint Engraving, 17 5/8 x 26 1/4 in. (44.8 x 66.7 cm)

Edition of 50
Etching with Aquatint in Colors on Japon
Noted: XXXV/L

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Joan Miro, Passacaille, 1968

Aquatint, Etching, and Carborundum, 11 3/8 x 7 3/4 in. (28.9 x 19.7 cm)

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Joan Miro, Untitled Abstract

Color Lithograph, 8 3/4 x 8 3/4 in. (22.2 x 22.2 cm)

Edition 28/45

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Marcel Mouly, Grandes Voiles

Color Lithograph, 19 1/2 x 26 1/2 in. (49.5 x 67.3 cm)

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Marcel Mouly, Sailboat

Color Lithograph, 11 x 15 in. (27.9 x 38.1 cm)

Edition 149/300

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Leroy Neiman, Cove at Vintage

Serigraph, 34 x 36 1/2 in. (86.4 x 92.7 cm)

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Leroy Neiman, Resting Lion, 2008

Serigraph, 28 x 37 in. (71.1 x 94 cm)

Edition 47/385

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Leroy Neiman, Resting Tiger, 2008

Serigraph, 28 x 37 in. (71.1 x 94 cm)

Artist Proof

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Leroy Neiman, Rhino, 2006

Serigraph, 28 x 21 in. (71.1 x 53.3 cm)

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Leroy Neiman, The 18th at Pebble Beach, 1998

Serigraph, 26 x 43 in. (66 x 109.2 cm)

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Leroy Neiman, U.S. Open at Oakmont

Serigraph, 27 1/2 x 39 in. (69.8 x 99.1 cm)

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Claes Oldenburg, Pickaxe (Spitzhacke) Superimposed on a Drawing of the Site by E.L. Grimm, 1982

Color Photogravure, Etching, and Spitbite Aquatint on Paper, 6 7/16 x 10 1/8 in. (16.4 x 25.7 cm)

Cat. Raisonne: Axsom 180
Published by: Documenta Foundation, Kassl, Germany; Multiples, NY
"Pick Axe Superimposed on a Drawing of the Site by E.L. Grimm" is Oldenburg's graphic interpretation of a site specific sculpture titled "Spitzhacke" (Pick Axe), which was commissioned the the city of Kassel, Germany for "Documenta 7" in 1982. The sculpture measures 36 ft. 9 in. x 44 ft. 6 in. x 3 ft. 8 in. "Documenta" is an international exhibition in Kassel that occurs every 5 years. The sculpture is now part of the city's collection of public works.

Emil Ludwig Grimm was the younger brother of Jacob and Willem Grimm, the famed "Brothers Grimm". He was an artist and illustrator. A drawing from 1822 by E.L. Grimm was discovered at the Bruder Grimm Museum in Kassel that depicted the location where the Oldenburg sculpture was to be installed. Virtually unchanged, the drawing was photogravured and used by Oldenburg to create this etching, published in conjuction with the debut of the sculpture.

The platemark of the image is only 6-1/2 x 10-1/8 inches but is printed on a large sheet of paper. The print is pencil signed, dated and numbered in the lower margin.

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Pablo Picasso, County Museum of Art, Los Angeles

Color Lithograph, 30 1/8 x 22 1/4 in. (76.5 x 56.5 cm)

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Pablo Picasso, Sujet Poisson, 1952

Earthenware, 5 1/8 x 8 1/4 x 3 1/2 in. (13 x 21 x 8.9 cm)

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Deborah Remington, Abstract (Figure), 1989

Color Lithograph, 24 x 17 in. (61 x 43.2 cm)

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Bridget Riley, Elapse, 1982

Color Lithograph, 40 x 25 in. (101.6 x 63.5 cm)

Bridget Riley (b. 1931)
Elapse
screenprint in colours, 1982, on watermarked BFK Rives paper, signed, titled and dated in pencil, from the unnumbered (as issued) edition of 260, published by the Print Club of Cleveland, with their blindstamp, the full sheet, in good condition, framed

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James Rosenquist, undefined, 1977

Etching and Aquatint, 22 x 38 in. (55.9 x 96.5 cm)

Edition 23
Etching and Aquatint with Pochoir and Hand-Coloring on Pescia Italia

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J. Saunier, Line Abstract, 1977

Engraving, 10 3/4 x 8 1/4 in. (27.3 x 21 cm)

Edition 22/250

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Sean Scully, Room, 1988

Aquatint Engraving, 42 x 51 in. (106.7 x 129.5 cm)

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David Shapiro, Kala 7, 1991

Aquatint Engraving, 13 x 9 in. (33 x 22.9 cm)

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Gustave Singier, Abstract Composition in Blue, 1955

Color Lithograph, 16 x 20 1/2 in. (40.6 x 52.1 cm)

Edition 154/200

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Marco Spalatin, Red Geometric

Color Lithograph, 12 x 15 in. (30.5 x 38.1 cm)

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Nicki Starnie, AKI NO YUQU, 1986

Aquatint on Handmade Paper, 17 x 23 1/2 in. (43.2 x 59.7 cm)

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Frank Stella, Shards II, From Shards, 1982

Lithograph and Screenprint, 39 3/4 x 45 1/4 in. (101 x 114.9 cm)

From Shards Series
Edition of 4

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Donald Sultan, One of Diamond and Thirteen of Diamonds, 1990

Color Engraving, 11 1/2 x 8 in. (29.2 x 20.3 cm)

Set of Two

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Phillip Sutton RA, Dark Green Wood, 1956

Oil on Canvas, 34 x 34 in. (86.4 x 86.4 cm)

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Peter Takal, City Rooftops

Engraving, 9 1/4 x 15 in. (23.5 x 38.1 cm)

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Oscar E. Thalinger, Geometric Composition, 1953

Oil on Board, 27 3/4 x 35 1/2 in.

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Ron Thomas, Rhythmic Garden

Oil on Canvas, 40 x 50 in.

Signed Lower Right Center and Verso

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Mark Tobey, Pensees Germinales, 1973

Drypoint Engraving, 9 3/8 x 5 3/4 in. (23.8 x 14.6 cm)

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Jack Tworkov, T.L. #6, 1978

Black and White Lithograph, 16 1/2 x 22 1/2 in. (41.9 x 57.1 cm)

Edition 103/250

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Jack Tworkov, T.L. #7, 1978

Color Lithograph, 24 x 23 1/2 in. (61 x 59.7 cm)

Edition 86/125

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John Uht, Dancers

Oil on Canvas, 24 x 30 in. (61 x 76.2 cm)

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Victor Vasarely, Abstract Purple, Blue, Greens

Color Lithograpgh, 23 1/2 x 23 1/2 in. (59.7 x 59.7 cm)

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Victor Vasarely, IUSKA

Serigraph, 25 x 25 in. (63.5 x 63.5 cm)

Edition 48/300

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Victor Vasarely, MAKK-S

Serigraph, 25 x 25 in. (63.5 x 63.5 cm)

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Andy Warhol, Queen Margrethe II of Denmark (FS II.344) (from Reigning Queens), 1985

Screenprint on Lenox Museum Board, 39 1/2 x 31 1/2 in. (100.3 x 80 cm)

Edition 25/40

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William T. Wiley, DENEB, 1996

Color Lithograph, 25 1/4 x 18 in. (64.1 x 45.7 cm)

Edition 265

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Andrew Wyeth, Upland Country, 1939

Watercolor on Paper, 21 1/2 x 29 1/4 in. (54.6 x 74.3 cm)

Owen Gallery

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